Sex and Gender in Samuel Beckett’s Work

The titles of Samuel Beckett’s two early novels show a taste for salaciousness and provocation that did not disappear in later years, and led to his being expelled from the family home and censored in Ireland. If obscenity became more subdued afterwards, and if sexuality tended to disappear from an increasingly abstract universe, sex, of an often crude kind, is a recurring feature of the Beckettian text. As for sexuality, in its normative version, it is systematically thwarted by the powerlessness and horror of procreation displayed by Beckett’s male characters, whose sexual behaviour “deviates” from the heterosexual paradigm (anality, onanism).

Sex questions the relationship to the other, as a sexual partner and in its gendered dimension. But this relationship is not a straightforward one in Beckett. Before the trilogy, female characters are essentially derealized (either through idealization or belittling, see Mercier, Bryden, Ben-Zvi, McMullan), while male characters are devirilized (Bjørnerud). Moreover, the question of connection and autonomy, central to the fiction and even more to the theatre, is experienced in sexual encounters with particular acuteness. The promise of a union, or even of fusion with the other, stumbles against an impossibility that feeds the melancholy of many characters. Considering that the sexual act is both material and spiritual, it can be traumatic but is also a source of humour and comedy.

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Call for Papers: The Style of Samuel Beckett in the Epistolary Mirror, 1929–1989

This volume aims to study Samuel Beckett’s style in the mirror of his letters. Since 2009, four volumes of his letters have been published by Cambridge University Press: Volume I, 1929-1940 (2009); Volume II, 1941-1956 (2011); Volume III, 1957-1965 (2014) and Volume IV, 1966-1989 (2016). They have also been translated into French and published by Gallimard between 2014 and 2018. In spite of an originally imposing corpus, only a selection of around 2 500 (L1, xx) have been reproduced, but these letters give an idea of the evolution of the epistolary style of the author of Godotand Molloy, from the 1930s through to the 1980s. Written in English, French and, to a lesser degree, in German, the letters are addressed to numerous correspondents: friends (Tom MacGreevy, Ethna MacCarthy) and collaborators (Jérôme Lindon, Robert Pinget); close relations (Barbara Bray) or occasional correspondents, like David Hayman or Matti Megged.

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Beckett & Italy: Call for Papers for an Academic Conference in Reading

We are delighted to announce a two-conference series on the topic: Beckett & Italy: “old chestnuts”, new occasions. The first conference will take place at the University of Reading from 7-8 November 2019, and the second will take place at “Sapienza” Università di Roma in May 2020. The following is a call for papers for the upcoming conference at the University of Reading…

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Paris Workshop: Beckett, Phenomenology and Ecology, AUP

Phenomenology, from its classical roots in Husserl to its more contemporary intersections with ecology, re-imagines relations between the human and its surroundings. How might phenomenology, then, inspire innovative readings of Beckett’s work around ecological crisis, climate change, and environmental instability? We are envisioning an informal, collegial gathering of scholars of literature and philosophy on 21 June, at The American University of Paris, where we will approach this question from a variety of angles, anchored in reading three Beckett texts and one article on eco-phenomenology. We are eager to bring together scholars thinking with the phenomenological tradition expansively, from Husserl to Merleau-Ponty to Henry, and to include scholars with a variety of approaches to literary texts, from political to comparative to philosophical to psychoanalytic. We are not aiming for the workshop to produce a “product,” but we do hope to explore whether there may be ways for the discussions to continue in future years. We imagine pre-circulating Beckett texts in French and English, with discussion itself taking place primarily in English, and with a couple workshop participants kicking off discussion of each text with informal opening reflections. The workshop is convened by Amanda Dennis and Vincent Lloyd.

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