“On Morton Feldman and his work with Beckett how is Neither for you distinct from Words and Music in terms of tone and mood?
Liam Browne: Neither was written for a solo high soprano voice and the text is stretched across a one hour-long period making the text indistinct whereas every word in Words and Music is accounted for and is spoken rather than sung. Different genres of course, one is prose/short story and the other a play. Beckett didn’t approve of one genre being transferred into another which is why in our rendering of neither on bespoke billboards we are treating the billboards as the page.”
Read the full Q&A with Liam Browne over at marlbank
As Marek Kedzierski plans another multidisciplinary and international celebration of Beckett, the SBSS asked him about his hugely ambitious and successful 2017 fail.better:beckett@111, and to find out what he has in mind for his new venture.
In an interview published by Frieze, Judith Wilkinson talks to the acclaimed polymath, artist, and author who is celebrating his 90th year. Wilkinson’s forthcoming book, Samuel Beckett: Contemporary Artist (Bloomsbury 2018) examines Beckett as a practicing artist working in sound, moving-image, performance and installation art. The interview touches upon the correspondence and influence between O’Doherty and Beckett.
April 13th marks 112 years since the birth of Irish writer, playwright, and Nobel laureate Samuel Beckett. To celebrate, we at the Samuel Beckett Society have assembled a collection of links to celebrate his life, work, and legacy. Enjoy!
“On this special episode of The Book Show Eimear McBride (A Girl is a Half Formed Thing, The Lesser Bohemians) visits The Samuel Beckett Collection in University of Reading. There she gains a rare glimpse at the original manuscripts of Beckett’s first publish novel Murphy and his last published prose work Stirrings Still.
With contributions by Head of Archive Services Guy Baxter, Director of the Beckett International Foundation Dr Mark Nixon, Chair of the Samuel Beckett Research Centre Stephen Matthews, Beckett’s biographer and friend James Knowlson, actors Lisa Dawn and Olwen Fouéré.”
“Jess Thom is a founding member of Touretteshero, a theatre company that celebrates the inherent creativity and humour in Tourette’s. She is taking on Samuel Beckett’s Not I, a rapidly delivered monologue spokenby a character called Mouth. Jess explains why the text captures her own experience of living with Tourette’s and her mission to make theatre more accessible.”
On Wednesday 21 March, the Beckett community at the University of Reading welcomes acclaimed actor Lisa Dwan to discuss the process of adapting Beckett’s prose for the theatre. In her 2016 performance of No’s Knife at London’s Old Vic theatre, Dwan confronted both the challenges and the possibilities of adapting Beckett’s prose for performance by a female actor in her staging of excerpts from Texts for Nothing. This discussion of Beckett and adaptation with Lisa Dwan will be followed by a Q&A session.
Colette Sheridan: “It is going to be a verbatim performance. But is it very grim? After all, the narrator exists in the mud-dark and ends up in solitude after the other creature disappears. The text has drawn comparisons with Dante’s image of souls gulping mud in the Stygian marsh of the Inferno.”