The Hamish Canham (Applied) Prize – Free Prizegiving Presentation and Discussion

The free public event will take place in the 5th floor lecture theatre of The Tavistock Centre, London, on 13 December 2017. This year’s winner is Maryam Ghasemi, a former student of the Tavistock and Portman’s ‘Psychoanalytic Studies’ masters course. Her paper is titled, ‘Rockaby: Eros and Thanatos’, and is a psychoanalytic reading of the short play by Samuel Beckett.

Read More
Advertisements

CFP: Samuel Beckett Working Group 2018

The conference theme of Theatre and Migration is intrinsically linked to questions of mobility and access, as it evokes various performances of borders. As a writer who moved from Ireland to France and wrote in multiple languages, Samuel Beckett’s works manifest the quest for transcending borders linguistically, culturally, artistically, philosophically and politically.

Read More

Samuel Beckett’s Annotated Copy of Waiting for Godot

The British Library: “This edition of Waiting for Godot is annotated by Beckett for the San Quentin Drama Workshop’s 1984 production, which Beckett supervised for ten days. The production was rehearsed at London’s Riverside Studios before opening at the Adelaide Arts Festival in Australia and later touring Europe. Directed by Walter Asmus, it starred Cluchey as Pozzo, Lawrence Held as Estragon, Bud Thorpe as Vladimir, J Pat Miller as Lucky and Louis Beckett Cluchey as A Boy.”

Read More

Sam Shepard’s Final Novel: “Waiting for Godot in the Desert”

“Sam Shepard‘s final work, Spy of the First Person, has been published this week by Knopf. In an early review for USA Today, Jocelyn McClurg describes it as ‘an autobiographical work of fiction’ with a “fragmentary, disjointed narrative”. McClurg goes on to offer a pithy summary suggesting a debt to the Irish writer, Samuel Beckett, calling Shepard’s novel ‘Waiting for Godot in the desert.'”

Read More

Gare St Lazare Ireland to perform extracts from Beckett’s Watt, First Love, and Other Texts at the Abbey Theatre

In exploring the use of music in Samuel Beckett’s work, Gare St Lazare Ireland have created an entirely original performance that defies easy description.  A meditation, a celebration, an interpretation; Here All Night’s absence of linear narrative frees us to go where the words and music bring us and offers another way to access both Beckett’s world and our own.

Read More

Lisa Dwan to read from Beckett’s ‘Foirades/Fizzles’

Royal Academy of the Arts: “To coincide with our landmark exhibition, Jasper Johns: ‘Something Resembling Truth’, Lisa Dwan reads from Foirades/Fizzles, a stunning publication that juxtaposed Jasper Johns’ vibrant, energetic etchings with a series of Samuel Beckett’s short prose pieces, both in their original French and translated into English. They have been the subject of notable scholarly works and the collection is now considered to be one of the greatest artist’s books of the 20th century, having been exhibited internationally and lauded for its significant impact across the visual arts, literature, music and theatre.”

Read More