Beckett in Foxrock has been running annually since 2016 from the writer’s home parish church of Tullow on the southside of Dublin. The highlight of each year’s celebrations is a performance by Mouth on Fire theatre company in the unique atmosphere of the church itself. In 2019, an unforgettable presentation of All That Fall led…
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A new Spanish translation of Lessness/Sans has been announced by Árdora Ediciones in Madrid. The volume is novel in that it contains four versions of the same text: Beckett’s original Sans (1969), followed by its translation into Spanish by Loreto Casado, and Beckett’s original Lessness (1970), followed by its translation into Spanish by José Francisco Fernández. Fernández explained the…
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Spectral Landscapes: Absence, Trauma & Nationhood is a two-day inter-disciplinary conference hosted by the University of Reading which aims to explore questions of spectrality, trauma, hauntings and landscape in connection to national and social identity in Beckett’s works. The two-day event, which forms part of Reading’s annual Beckett Week and runs on 4-5 November, 2021,…
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Coming imminently from Edinburgh University Publishing is Samuel Beckett and Technology, edited by Galina Kiryushina, Einat Adar and Mark Nixon. Drawn from the conference of the same name which was held in Charles University, Prague in 2018, this new volume aims for ‘a comprehensive discussion of the role technology plays in shaping Beckett’s trademark aesthetics’ by…
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This autumn sees the publication of two books which address the issue of translation in Beckett’s oeuvre. Samuel Beckett and Translation (Palgrave), edited by José Francisco Fernández and Mar Garre García adresses a number of themes including Beckett’s self-translations, translations of other authors and the poetics of translation, in a collection comprising thirteen chapters followed…
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Beckett and Buddhism is a new work from Cambridge University Press by long-time Beckett scholar and Society member Angela Moorjani . Drawing on letters and archives along with recent studies of Buddhist thought and Schopenhauer’s knowledge of it, the book charts the Buddhist concepts circling through Beckett’s visions of the ‘human predicament’. Moorjani offers an…
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Lisa Dwan takes on the role of Winnie in Happy Days at the Riverside Studios in London. She spoke to Mert Dilek about tackling the part as a younger (and pregnant) woman, and about working with director Trevor Nunn on another Beckett piece. [A longer version of this interview will appear in the Autumn issue…
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Call for Papers – Deadline 31st July 2021 Spectral Landscapes: Absence, Trauma and Nationhood 4th-5th November 2021, University of Reading “places belong to our bodies and our bodies belong to these places. We learn how to orientate and re-orientate ourselves in relation to them and form internalized representations of them (cognitive maps) which play a…
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The latest on-line version of Waiting for Godot is the first project of American company The New Group Off Stage, and is described as ‘an experimental exploration of a storied play, bringing together a roster of lauded artists from across the cultural spectrum. A combination of theatrical invention and innovative filmmaking. At once both a…
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This issue once again reflects the COVID restricted nature of our times. Performances are on-line but show signs of adapting to the restrictions of form. We feature reviews of five different approaches to the problem and interview actor Marty Rea about his experience in the live broadcast of Happy Days. New Beckett Society President, Laura…
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The Samuel Beckett Society 