Special Issue of Samuel Beckett Today / Aujourd’hui

Volume 30, Issue 1 of Samuel Beckett Today / Aujourd’hui is a special issue entitled The Poetics of Bilingualism in the Work of Samuel Beckett / La poétique du bilinguisme dans l’œuvre de Samuel Beckett. For more information, visit the publisher’s website.

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The Book Show (RTÉ Radio 1): Eimear McBride on Samuel Beckett

“On this special episode of The Book Show Eimear McBride (A Girl is a Half Formed Thing, The Lesser Bohemians) visits The Samuel Beckett Collection in University of Reading. There she gains a rare glimpse at the original manuscripts of Beckett’s first publish novel Murphy and his last published prose work Stirrings Still.

With contributions by Head of Archive Services Guy Baxter, Director of the Beckett International Foundation Dr Mark Nixon, Chair of the Samuel Beckett Research Centre Stephen Matthews, Beckett’s biographer and friend James Knowlson, actors Lisa Dawn and Olwen Fouéré.”

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Irish Examiner: How It Is (Part 1) at the Everyman Palace Theatre, Cork

“While Beckett is often seen as impenetrable and difficult, there is so much in this work that is strangely comfortable and familiar. There are many rewards to be found in it if you abandon the compulsion to make sense of it all, and just let it wash over you.

At the end, by whatever strange alchemy is wrought I feel enervated and alive rather than consumed by existential angst. A tale of the unexpected.”

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Beckett, Lacan and the Mathematical Writing of the Real

Beckett, Lacan and the Mathematical Writing of the Real proposes writing as a mathematical and logical operation to build a bridge between Lacanian psychoanalysis and Samuel Beckett’s prose works. Arka Chattopadhyay studies aspects such as the fundamental operational logic of a text, use of mathematical forms like geometry and arithmetic, the human obsession with counting, the moving body as an act of writing and love, and sexuality as a challenge to the limits of what can be written through logic and mathematics. Chattopadhyay reads Beckett’s prose works, including How It Is, Company, Worstward Ho, Malone Dies and Enough to highlight this terminal writing, which halts endless meanings with the material body of the word and gives Beckett a medium to inscribe what cannot be written otherwise.

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BBC Radio 4: Jess Thom on Beckett’s Not I

“Jess Thom is a founding member of Touretteshero, a theatre company that celebrates the inherent creativity and humour in Tourette’s. She is taking on Samuel Beckett’s Not I, a rapidly delivered monologue spokenby a character called Mouth. Jess explains why the text captures her own experience of living with Tourette’s and her mission to make theatre more accessible.”

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Getting ‘hands-on’ with Samuel Beckett at Trinity College Dublin

Trinity is a target destination for Beckett scholars because of the size and variety of original Beckett manuscripts held here. However, because of the physical fragility of the manuscripts (Beckett always used the very worst quality paper), few people get to handle the originals. This creates an obvious problem when it is considered that there is an almost indefinable, special ‘something’ to be experienced from being in the presence of an original artefact – think of Jane Austen’s spectacles or the Ardagh Chalice. Are our students being denied an experience which could be of signal benefit to them? All special-collections repositories share this tension between access and preservation but the issue has been thrown into high relief in the context of Trinity’s development of the Trinity Education Project, which seeks to encourage more original research among undergraduates.

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From Page to Stage: Beckett and Adaptation with Lisa Dwan

On Wednesday 21 March, the Beckett community at the University of Reading welcomes acclaimed actor Lisa Dwan to discuss the process of adapting Beckett’s prose for the theatre. In her 2016 performance of No’s Knife at London’s Old Vic theatre, Dwan confronted both the challenges and the possibilities of adapting Beckett’s prose for performance by a female actor in her staging of excerpts from Texts for Nothing. This discussion of Beckett and adaptation with Lisa Dwan will be followed by a Q&A session. 

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