News – Page 26 – The Samuel Beckett Society

February 9, 2018February 7, 2018

New Production of Morton Feldman & Samuel Beckett’s Words and Music

An assembly are a group dedicated to experimental and contemporary music, installation, and performance.

Their first event of 2018 sees a rare performance of one of Feldman’s final works, ‘Words and Music’, a collaboration with one of the 20th century’s greatest writers, Samuel Beckett. Originally conceived as a radio-play, this 40-minute piece exhibits two of the 20th century’s greatest artists at their creative peak. Haunting fragments of text and sound gently discourse and overlap in an intimate meditation on themes such as love, age, and truth.

February 7, 2018February 7, 2018

Judy Hegarty Lovett on Interpreting Samuel Beckett

Victoria Myers talks to Judy Hegarty Lovett about her work with Gare St Lazare Ireland

February 5, 2018January 31, 2018

Toronto Production of Krapp’s Last Tape is “rich and resonant”

J. Kelly Nestruck: “Nasmith’s performance is exquisite – the pathos not overplayed, the humour stinging but still funny. When he holds a peeled banana in his mouth, it is the epitome of the word “absurd.” When he listens intently and then gets lost in memory, you see that boat moving gently, up and down, and from side to side.”

February 2, 2018January 31, 2018

Bringing Beckett’s How It Is to the Cork stage

Colette Sheridan: “It is going to be a verbatim performance. But is it very grim? After all, the narrator exists in the mud-dark and ends up in solitude after the other creature disappears. The text has drawn comparisons with Dante’s image of souls gulping mud in the Stygian marsh of the Inferno.”

January 31, 2018January 31, 2018

Samuel Beckett: Style Icon?

Here at the Samuel Beckett Society, we’re not sure what to make of Robert Armstrong’s recent piece in the Financial Times about the end of the male style icon. Armstrong is wistful for a simpler time, when male celebrity figures were supposedly emulated and celebrated for their sartorial choices. What do you think? Does Beckett’s dress code influence the way we think about him as a writer and public figure? Or are these things irrelevant to the books and plays that we love?

January 27, 2018

Battersea Arts Centre stages Not I, starring Jess Thom

The production will run from 28 February to 17 March 2018. Visit the Battersea Arts Centre website for more information. If you are a member of the Samuel Beckett Society, you can also read a recent review of the Thom production in The Beckett Circle.

January 26, 2018

Stephen Dillane praises Cork actors for Beckett adaptation

The Irish Examiner: “[Stephen Dillane] is in Cork to rehearse for How It Is, a production of Samuel Beckett’s little-known 1962 novel. It has been adapted by Gare St Lazare Players, the Irish theatre company who have been to the fore in interpreting and performing the writer’s work for almost two decades.”

January 25, 2018January 25, 2018

Remembering How It Was: Anne Atik, Avigdor Arikha, and Samuel Beckett

Aysegul Savas has written about her experience of knowing the poet Anne Atik as a neighbour. The piece also discusses Anne’s late husband, Avigdor Arikha, and touches on the couple’s friendship with Samuel Beckett

January 23, 2018

German Fever: Take a Look at the “Beckett in Germany” Exhibition

The Deutsches Literatur Archiv website has posted a series of images from the ongoing ‘German Fever’ exhibition, which explores Samuel Beckett’s enduring connections to German art, culture, and community. Among the images one will find photograph, manuscripts, and correspondence, and will be of great interest to anyone interested in Beckett’s work. There is also an accompanying booklet by the exhibition organisers, Dirk Van Hulle and Mark Nixon.

January 22, 2018

Mathematics and Modern Literature

Call for Papers: “Mathematics and Modern Literature is a collaborative, interdisciplinary conference exploring the ways in which writers active between the late nineteenth century and the twenty-first century engage with, represent or reflect upon mathematics in their work.”