Samuel Beckett: The German Room. A one-day conference in Regensburg, Germany

As part of the Samuel Beckett: The German Room exhibition currently ongoing at the University of Regensburg in Germany, a one-day conference will take place on January 19 2026 featuring contributions from a fascinating group of noted scholars and practitioners. Taking part in the proceedings will be: Prof. Dr. Oliver Lubrich (University of Bern): ‘What…

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Über Fernsehen, Beckett: An Exhibition on Beckett and Television in Stuttgart

A major exhibition on Samuel Beckett’s engagement with the medium of television is currently running at the Württembergischer Kunstverein in Stuttgart. Über Fernsehen, Beckett is a multimedia exhibition co-curated by Gerard Byrne and Judith Wilkinson. Inspired by Beckett’s direct engagement with the television channel Süddeutscher Rundfunk, the exhibition presents for the first time together all…

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New Title: Samuel Beckett and Technology. Eds Galina Kiryushina, Einat Adar & Mark Nixon (Edinburgh University Press)

Coming imminently from Edinburgh University Publishing is Samuel Beckett and Technology, edited by Galina Kiryushina, Einat Adar and Mark Nixon. Drawn from the conference of the same name which was held in Charles University, Prague in 2018, this new volume aims for ‘a comprehensive discussion of the role technology plays in shaping Beckett’s trademark aesthetics’ by…

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Call For Submissions: Corresponding with Samuel Beckett

Corresponding with Samuel Beckett is an edition of critical essays that forms a major intervention in key debates on the use of Nobel prize winning author Samuel Beckett’s correspondence in literary and cultural studies and in the digital humanities.

What does it mean to correspond with Beckett? How does Beckett’s correspondence give us insight into the work? In what ways are critical reading and writing a form of correspondence with an author? The publication of the fourth and final volume of The Letters of Samuel Beckett marks an appropriate moment to take stock of the role of autobiography in research, and the importance of the epistolary in literary studies. Corresponding with Samuel Beckett examines issues around the development of the grey archive, the use of digital resources, translation, visual metadata, and the role of corollary correspondence. Given Beckett’s hesitation to render the personal public, the book examines what is at stake in negotiating issues of privacy, permissions, and copyright. The book generates new thinking on the letter as artefact, and the textual and stylistic aspects of the epistolary. It explores the legacy of a correspondence project and how the research that underpins it can be deployed for further research. Using literary correspondence and related materials raises older literary questions on authorial intention and reading methodologies that continue to inform literary analysis. In the age of twitter, snapchat and whatsapp correspondence is primarily digital: the edition will question the longevity of contemporary digital correspondence, and explore strategies for future engagement with the epistolary in literary research.

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New Georgian Translation of Waiting for Godot

In March 2020 Inga Zhghenti’s translation of Waiting for Godot received critical acclaim as the first Georgian translation of Beckett’s play (from the English text). The translation has been uploaded to the Internet Archive of Georgian Theatre, and is available here. Zhghenti is currently an associate professor at East European University and an invited lecturer at Caucasus University.

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