Bob Nasmith Reprises Role in Krapp’s Last Tape

Press Release: “After a sold out run and two sold out extensions in 2018, Award Winning Actor, Bob Nasmith is back, tackling Samuel Beckett for a remount of Singing Swan and VideoCabaret’s critically acclaimed production of Krapp’s Last Tape October 4-21 at Theatre Passe Muraille Backspace.

On his birthday, Krapp records a reel-to-reel tape of annual reminiscences, and forces himself to review a long life and face the diminishing future. Beckett’s rare mix of humour and tragedy are incarnated by iconic Canadian actor Bob Nasmith, founding member of VideoCabaret, Emeritus Board Member of Theatre Passe Muraille and recent recipient of the Toronto Theatre Critics Lifetime Achievement Award.”

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“This skillful demonstration of the disease known as being alive, as diagnosed by a master playwright, is one I would recommend to any actor, student of literature or fan of tragedy and comedy. [Bill Irwin’s] On Beckett, which was conceived and staged by Mr. Irwin as an (almost) one-man show, carefully peels back the skin on an actor’s fascination with, and interpretation of, its title subject.”

The New York Times

ECR Travel Bursaries from the Samuel Beckett Society

The Samuel Beckett Society is pleased to offer 4 travel bursaries of the value of £300 each to Early Career Researchers wishing to attend the annual conference in Mexico City in November 2018.

‘Early Career Researcher’ describes any scholar of any nationality not yet holding a permanent salaried position. Your contribution must have already been accepted by the Conference Organisers.

Please send a 400-word description of your contribution to daniela.caselli@manchester.ac.uk by 5 September 2018. An anonymous committee of Beckett scholars will rank the proposals and the Society will get back to you via e-mail by 11 September 2018.

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Call for Tributes: John Calder, 1927-2018

The Samuel Beckett Society is sad to learn of the death of British publisher John Calder, a strong supporter of Beckett’s writing and a close personal friend. Our thoughts are with his family during this difficult time.

The Society welcomes tributes and recollections of Calder from friends, family, fans, and well-wishers, for publication in the official newsletter, The Beckett Circle. If you would like to share your own tribute, please get in touch using the form. Thank you.

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“Soft Border. Hard Beckett.”

“This latest Godot is part of the Happy Days: International Beckett Festival, now in its sixth edition, which shares August with the somewhat newer Lughnasa Frielfest, dedicated to another famous Irish playwright and located further up the Brexit frontline, at venues in Derry and Donegal. ” Frank McNally, The Irish Times

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On Morton Feldman and his work with Beckett how is Neither for you distinct from Words and Music in terms of tone and mood?

Liam Browne: Neither was written for a solo high soprano voice and the text is stretched across a one hour-long period making the text indistinct whereas every word in Words and Music is accounted for and is spoken rather than sung.  Different genres of course, one is prose/short story and the other a play.  Beckett didn’t approve of one genre being transferred into another which is why in our rendering of neither on bespoke billboards we are treating the billboards as the page.”

Read the full Q&A with Liam Browne over at marlbank