The Samuel Beckett Society is sad to learn of the death of French literary critic Pascale Casanova, familiar to many Beckett scholars as the author of Samuel Beckett: Anatomy of a Literary Revolution. Our thoughts are with her family during this difficult period.Read More
To find out more about the production, which stars veteran Beckett actor and interpreter Barry McGovern, visit the Melbourne International Arts Festival website. The production will run from 4-13 October 2018.Read More
The Samuel Beckett Society is pleased to offer 4 travel bursaries of the value of £300 each to Early Career Researchers wishing to attend the annual conference in Mexico City in November 2018.
‘Early Career Researcher’ describes any scholar of any nationality not yet holding a permanent salaried position. Your contribution must have already been accepted by the Conference Organisers.
Please send a 400-word description of your contribution to firstname.lastname@example.org by 5 September 2018. An anonymous committee of Beckett scholars will rank the proposals and the Society will get back to you via e-mail by 11 September 2018.Read More
“Based on the famous play by Samuel Beckett, Fin de Partie is the first opera written by 91-year-old György Kurtág, one of the world’s greatest living composers. This production also marks Pierre Audi’s directorial debut at La Scala in Milan.”Read More
The Samuel Beckett Society is sad to learn of the death of British publisher John Calder, a strong supporter of Beckett’s writing and a close personal friend. Our thoughts are with his family during this difficult time.
The Society welcomes tributes and recollections of Calder from friends, family, fans, and well-wishers, for publication in the official newsletter, The Beckett Circle. If you would like to share your own tribute, please get in touch using the form. Thank you.Read More
“World Premiere of The Old Tune directed by Conall Morrison (whose Woyzeck in Winter received rave reviews in Galway and London last year) and starring two iconic Irish actors, Barry McGovern and Eamon Morrisey, is a rare opportunity to see two of Ireland’s finest theatre actors performing on stage together.”Read More
“This latest Godot is part of the Happy Days: International Beckett Festival, now in its sixth edition, which shares August with the somewhat newer Lughnasa Frielfest, dedicated to another famous Irish playwright and located further up the Brexit frontline, at venues in Derry and Donegal. ” Frank McNally, The Irish TimesRead More
“On Morton Feldman and his work with Beckett how is Neither for you distinct from Words and Music in terms of tone and mood?
Liam Browne: Neither was written for a solo high soprano voice and the text is stretched across a one hour-long period making the text indistinct whereas every word in Words and Music is accounted for and is spoken rather than sung. Different genres of course, one is prose/short story and the other a play. Beckett didn’t approve of one genre being transferred into another which is why in our rendering of neither on bespoke billboards we are treating the billboards as the page.”
Read the full Q&A with Liam Browne over at marlbank
Lara Marlowe: “The village of 1,300 will commemorate Beckett’s 1942-1944 stay in Roussillon with its 19th annual Beckett Festival from July 30th until August 1st. The actor Jacques Frantz will read from The Unnamable, the third book in Beckett’s trilogy. The festival will close with a performance by Denis Lavant of Worstword Ho.”Read More
Public Panel and Conversation, Wednesday 1 August 2018, 11am-1pm
“Samuel Beckett wrote and reflected constantly about the nature and meaning of embodiment, and as a result he continues to be an important touchstone in the growing field of Disability Studies. Researchers from both English and Creative Arts backgrounds have a growing interest in exploring how diverse physical, sensorial, developmental and psychological abilities manifest themselves in literature and in performance, and Beckett’s work provides many examples in terms of both practice and theory.
The Samuel Beckett Summer School, celebrating its eighth year of working at the cutting edge of new discourses in Beckett Studies, will offer a panel discussion and “long table” event on the topic of Beckett and Disability as its traditional Wednesday morning “plenary” discussion. Chaired by a researcher focusing in this area, Siobhán Purcell (NUI Galway), the panel will discuss a wide range of issues, including the representation of disability/ability in Beckett’s literature, as well as the theatre contexts in which Beckett’s work has been engaged by neurodiverse performers. The recent work of Touretteshero, especially their production of Not I in London, will be discussed by Jonathan Heron (University of Warwick). Other panelists, including Julie Bates (TCD, English) and Declan Reilly (TCD, Disability Service) will speak to the implications of accessibility and neurodiversity in education, policy, and philosophical landscapes.
The panel will run from 11 AM to approximately noon, and after a short break, the audience will be invited to contribute with a structured but open discussion until 1 PM. The event will be open to the public, accessible, and free of charge (but ticketed).”Read More