The Spring 2018 Issue of The Beckett Circle Is Now Available Online

Inside This Issue

Authorised Beckett biographer James Knowlson shares previously unpublished insights into Beckett’s most famous play; Michael Coffey reviews two distinctive Beckett productions in New York City; Gabriel Quigley sits down with the artistic director of Company SJ, Sarah Jane Scaife; Rhys Tranter asks Beckett scholar Paul Stewart about his decision to appear in a production of Krapp’s Last Tape; and much more

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The Beckett Circle (Autumn 2017)

Inside the latest issue: Authorised Beckett biographer James Knowlson shares previously unpublished insights into Beckett’s busy routine; Rodney Sharkey recounts his time collaborating with prison inmates on Endgame and Waiting for Godot; Hannah Simpson talks to actress Jess Thom about her recent production of Not I, where Thom reflects on how her experiences with Tourette’s syndrome inform her performance as Mouth;  Jonathan Heron pays tribute to the late Rosemary Pountney with an account of the End/Lessness project; Zoe Gosling attends an innovative performance and panel centring on the late prose text, Company; and Derval Tubridy attends an evening of Beckett and contemporary art hosted by The Wallace Collection.

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