Inside the latest issue

Authorised Beckett biographer James Knowlson shares previously unpublished insights into Beckett’s busy routine; Rodney Sharkey recounts his time collaborating with prison inmates on Endgame and Waiting for Godot; Hannah Simpson talks to actress Jess Thom about her recent production of Not I, where Thom reflects on how her experiences with Tourette’s syndrome inform her performance as Mouth;  Jonathan Heron pays tribute to the late Rosemary Pountney with an account of the End/Lessness project; Zoe Gosling attends an innovative performance and panel centring on the late prose text, Company; and Derval Tubridy attends an evening of Beckett and contemporary art hosted by The Wallace Collection.

[Read the Issue in the Members’ Area]

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Posted by:Rhys Tranter

Rhys Tranter is a writer based in Cardiff, Wales, UK. He is the author of Beckett's Late Stage (2018), and his work has appeared in the Times Literary Supplement, The Spectator, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature. His website RhysTranter.com is a personal journal offering commentary and analysis across literature, film, music, and the arts.

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