The Beckett International Foundation invites applications for the 2018 Katharine Worth Travel Bursary to visit the Beckett Archive at the University of ReadingRead More
“In the summer of 1935, Samuel Beckett and his widowed mother, May, took a three-week road trip together in England. It is not clear whose idea it was, but Beckett, who was living in an almost destitute state in London at the time, seems to have gone along with the plan willingly enough. With his mother paying all expenses, he hired a small car and took her on what he called a “lightning tour” of English market towns and cathedral cities including St Albans, Canterbury, Winchester, Bath and Wells. They covered hundreds of miles, driving as far as the West Country and spending almost three weeks together.
Beckett described their trip together in letters to his friend Tom MacGreevy, later the director of the National Gallery of Ireland. After they reached the West Country, he told MacGreevy, their hired car struggled with the “demented gradients, 1 in 4 a commonplace” around hilly Porlock and Lynton. They decided not to spend a night in the seaside resort of Minehead: one look at it was enough. Instead, they spent almost a week in a comfortable hotel in Lynmouth, close to where Shelley was said to have stayed. From there they went on day excursions around the coast and toured the literary locations of North Devon, including the Exmoor of Lorna Doone and the bathing place of Westward Ho! on Bideford Bay, named after Charles Kingsley’s famous book.”Read More
April 13th marks 112 years since the birth of Irish writer, playwright, and Nobel laureate Samuel Beckett. To celebrate, we at the Samuel Beckett Society have assembled a collection of links to celebrate his life, work, and legacy. Enjoy!Read More
Samuel Beckett first published novel, Murphy, is a comic romp around 1930s London and through the ‘little world’ of the human mind. Beckett weaves together reflections on madness, spirituality, and ginger biscuits with a Swiftian satirical fervour. In a day school at the University of Cambridge’s Institute of Continuing Education, attendees will explore how Beckett’s own life and interests shaped the novel by reading his letters and notebooks alongside the text itself. The course takes place on 21 April 2018, and is hosted by Beckett scholar Andy Wimbush. Visit the University of Cambridge website for more information.Read More
Volume 30, Issue 1 of Samuel Beckett Today / Aujourd’hui is a special issue entitled The Poetics of Bilingualism in the Work of Samuel Beckett / La poétique du bilinguisme dans l’œuvre de Samuel Beckett. For more information, visit the publisher’s website.Read More
In an essay for 3:AM Magazine, Richard Marshall explores the connections between Samuel Beckett and the nineteenth-century German Romantic painterRead More
“While Beckett is often seen as impenetrable and difficult, there is so much in this work that is strangely comfortable and familiar. There are many rewards to be found in it if you abandon the compulsion to make sense of it all, and just let it wash over you.
At the end, by whatever strange alchemy is wrought I feel enervated and alive rather than consumed by existential angst. A tale of the unexpected.”Read More
Originally written in French and first performed at the Royal Court Theatre in 1957, Samuel Beckett’s Endgame is widely regarded as one of his most important works. The Making of Samuel Beckett’s ‘Endgame’/’Fin de partie’ is a comprehensive reference guide to the history of the text.Read More
First performed in 1953, Waiting for Godot is Samuel Beckett’s masterpiece and one of the most important dramatic works of the 20th century. The Making of Samuel Beckett’s ‘Waiting for Godot’/’En attendant Godot’ is a comprehensive reference guide to the history of the text.Read More
Beckett, Lacan and the Mathematical Writing of the Real proposes writing as a mathematical and logical operation to build a bridge between Lacanian psychoanalysis and Samuel Beckett’s prose works. Arka Chattopadhyay studies aspects such as the fundamental operational logic of a text, use of mathematical forms like geometry and arithmetic, the human obsession with counting, the moving body as an act of writing and love, and sexuality as a challenge to the limits of what can be written through logic and mathematics. Chattopadhyay reads Beckett’s prose works, including How It Is, Company, Worstward Ho, Malone Dies and Enough to highlight this terminal writing, which halts endless meanings with the material body of the word and gives Beckett a medium to inscribe what cannot be written otherwise.Read More