Oxford University Press: “[James McNaughton’s] Samuel Beckett and the Politics of Aftermath explores Beckett’s creative responses to the Irish civil war and the crisis of commitment in 1930s Europe, to the rise of fascism, and the atrocities of World War II. Grounded in archival material, the volume reads in Beckett’s letters and German Diaries his personal response to propaganda he saw leading to war, and illustrates his creative work’s intimate engagement with specific political strategies, rhetoric, and events.
Deep into literary form, syntax, and language, Beckett reflects ominous political and historical changes, and satirizes aesthetic and philosophical interpretations that overlook them. He burdens aesthetic production with guilt for how imagination and language, theatre, and narrative parallel political techniques, the aspiration to both effect atrocity and cover it up. This book develops new readings of Beckett’s early and middle work up toThree Novels and Endgame.”
“Cambridge Scholars Publishing is pleased to announce the publication of Samuel Beckett and Europe: History, Culture and Tradition, edited by Michela Bariselli, Niamh M. Bowe and William Davies.
Drawing on the diverse critical debates of the ‘Beckett and Europe’ conference held in Reading, UK, in 2015, this volume brings together a selection of essays to offer an international response to the central question of what ‘Europe’ might mean for our understandings of the work of Samuel Beckett. Ranging from historical and archival work to the close interrogation of language and form, from the influences of various national literary traditions on Beckett’s writing to his influence on the work of other writers and thinkers, this book examines the question of Europe from multiple vantage points so as to reflect the ways in which Beckett’s oeuvre both challenges and enlivens his status as a ‘European writer’.”
Marion Rankine (TLS): “In Literary Cynics: Borges, Beckett, Coetzee, Arthur Rose draws on the long history of such challenges to authority. There is, he argues, a literary kind of cynicism that is both theoretically rich and necessarily alienating; it is also inherently paradoxical.”
Originally published in French as Malone meurt in 1951 and later translated into English by the author himself, Malone Dies is the second novel of Samuel Beckett’s Trilogy.
The Making of Samuel Beckett’s ‘Malone Dies’/’Malone meurt’ is a comprehensive reference guide to the history of the text. The book includes: a complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages; a critical reconstruction of the history of the history of the text, from its genesis through the process of composition to its full publication history; a detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at http://www.beckettarchive.org.
“[A]ny attempt to get a handle on Beckett takes you to into interesting territory—to classical music, Irish history, Continental philosophy, World War II, abstract painting, the French language. For a quiet man his interests were voracious. Beckett scholarship has ranged far beyond those seminal early essays by Maurice Blanchot and Theodor Adorno and the studies by Ruby Cohn and Lawrence Harvey. Now, with James Knowlson’s authorized biography, the recently released four volumes of letters, and the digital manuscript project going on in Antwerp, the study of his works is vibrant all around the world.”
In celebration of the publication of his book Samuel Beckett and Cinema, Anthony Paraskeva introduces Beckett’s Film and a rare screening of Comédie. Tickets for the event are free, but registration is essential.
Cambridge University Press: “In this interview with Emilie Morin, author of Beckett’s Political Imagination, we discuss what prompted Emilie to write a book on Beckett’s politics, and why Beckett traditionally is not considered to be a political playwright. Emilie also explains how Beckett’s political outlook is reflected in his writing, and she tells us what has surprised her the most when researching for this new book.”
A new edited volume of essays from Ibidem Press, to be published Spring 2019: The first objective will hopefully demonstrate that Beckett was embedded within popular cultural forms of his day – particular in the early stages of his career – be it in the form of film, advertising or song, and that these cultural units are refracted through the works themselves.
The conference will explore the manifold intersections of technology with Beckett’s oeuvre throughout the years, and will consider their future trajectories. This includes the development of modern technologies in the fields of communication, broadcasting, medicine, and transportation in the beginning of the 20th century and their influence on Beckett’s early writing; his employment of new media such as film, radio, and television; and contemporary uses of digital, medical, and other technologies in new approaches to staging, performing, and interpreting Beckett’s work in various genres and fields.