A forthcoming collection edited by Andrew Asibong (Birkbeck, University of London) and Aude Campmas (University of Southampton)

Flaubert, Beckett, NDiaye: The Aesthetics, Emotions and Politics of Failure
Flaubert, Beckett, NDiaye: The Aesthetics, Emotions and Politics of Failure

Gustave Flaubert, Samuel Beckett and Marie NDiaye can be considered as visionaries of a peculiarly radical form of failure, their protagonists and texts alike sliding inexorably into unmanageable states of paradox, incompletion and disintegration. What are the implications of these authors’ experiments in splitting and negativity, experiments which seem to indulge the most cynical aspects of nihilism, whilst at the same time grappling with the very foundations of politicized and psychic truth? In this unusual edited volume of comparative analyses, Andrew Asibong and Aude Campmas bring together ten provocative and illuminating essays, each of which approaches the various ‘failures’ of the bizarre trio of canonical francophone writers along three principal axes of investigation: the aesthetic, the emotional and the political.

Flaubert, Beckett, NDiaye is available from Brill | Rodopi.

Posted by:Rhys Tranter

Rhys Tranter is a writer based in Cardiff, Wales, UK. He is the author of Beckett's Late Stage (2018), and his work has appeared in the Times Literary Supplement, The Spectator, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature. His website RhysTranter.com is a personal journal offering commentary and analysis across literature, film, music, and the arts.

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