Call for Papers • Tennessee Philological Association Conference,  23-25 February 2017

In Samuel Beckett’s canon, water is a recurring image. In his radio play, Embers, the protagonist Henry tells us that he is sitting by the ocean, in his stage play Endgame Nagg and Nell remember nearly drowning in Lake Como, and in his tour de force stage and later television play, Not I Mouth refers to the narrative gushing from her mouth as a “steady stream.” Water in these and other works by the Nobel Prize winning author is both a location and a metaphor; it is aligned with happy memories and danger, with transition and stasis, with the beginning and the end.

Professor Katherine Weiss is seeking scholars interested in exploring the images of bodies of water in Beckett’s canon to be considered for a panel proposal to the 2017 Tennessee Philological Association Conference to be held in Johnson City, TN during 23-25 February 2017. For more about TPA, visit their website.

Abstracts should be no more than 250 words. To submit, please email Professor Katherine Weiss weisk01@etsu.edu with your abstract by 7 November 2016.

Posted by:Rhys Tranter

Rhys Tranter is a writer based in Cardiff, Wales, UK. He is the author of Beckett's Late Stage (2018), and his work has appeared in the Times Literary Supplement, The Spectator, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature. His website RhysTranter.com is a personal journal offering commentary and analysis across literature, film, music, and the arts.

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