This Issue

Editorial

President’s Address
Editorial

Theatre Reviews

Waiting for Godot (Los Angeles)
Oh les beaux jours! (Paris)
Teacht is Imeacht (Dublin)
Act Without Words II (London)
Waiting for Godot (New Zealand)
Rockaby/Berceuse & Footfalls (Norway)

Interviews

Michael Brodsky on Translating Eleuthéria

Conference Reviews

Beckett and the ‘State[s]’ of Ireland, University College Dublin
Samuel Beckett Working Group in Southampton
Beckett Summer School, Trinity College Dublin
Beckett au miroir des interpretations/Interpreting Beckett, Sorbonne Nouvelle University

New Releases

Book Reviews
New and Forthcoming

Call for Papers

Samuel Beckett Working Group: Barcelona 2013
Samuel Beckett: Form and History Conference

Obituaries

Barney Rosset 1922-2012

Posted by:Rhys Tranter

Rhys Tranter is a writer based in Cardiff, Wales, UK. He is the author of Beckett's Late Stage (2018), and his work has appeared in the Times Literary Supplement, The Spectator, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature. His website RhysTranter.com is a personal journal offering commentary and analysis across literature, film, music, and the arts.

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