“On Morton Feldman and his work with Beckett how is Neither for you distinct from Words and Music in terms of tone and mood?
Liam Browne: Neither was written for a solo high soprano voice and the text is stretched across a one hour-long period making the text indistinct whereas every word in Words and Music is accounted for and is spoken rather than sung. Different genres of course, one is prose/short story and the other a play. Beckett didn’t approve of one genre being transferred into another which is why in our rendering of neither on bespoke billboards we are treating the billboards as the page.”
Read the full Q&A with Liam Browne over at marlbank
Beckett Chamber Music Series explores the connection between words and music – thematically, expressively, temporally and spatially. The Series is inspired by Samuel Beckett’s reduction of artistic expression into a medium which blurs the line between words and music.
The 2018 Series brings together Ireland’s finest musicians, collaborating with renowned Beckett actors Barry McGovern and Stephen Brennan, for intensive artistic discovery, to be shared with audiences in three themed concerts in the dramatic yet intimate Boys School at Smock Alley Theatre on the quays in Dublin city centre between 24 and 30 June.
The Series culminates in a concert performance of Samuel Beckett’s radio play Words and Music with Morton Feldman’s 1987 score. The performance features Barry McGovern as Words/Joe, Stephen Brennan as Croak and Beckett Chamber Music Series musicians in the role on Music/Bob. The performance is directed by Everett Frost, who produced and directed the award-winning American national broadcast premieres of Beckett’s five completed radio plays. Preceding Beckett’s radio play are performances of Edgard Varèse Density 21.5 for solo flute and chamber works by Morton Feldman including Vertical Thoughts II and Four Instruments. When discussing the play with academic, Katherine Worth, Beckett made the perhaps surprising comment, “Music always wins”.
An assembly are a group dedicated to experimental and contemporary music, installation, and performance.
Their first event of 2018 sees a rare performance of one of Feldman’s final works, ‘Words and Music’, a collaboration with one of the 20th century’s greatest writers, Samuel Beckett. Originally conceived as a radio-play, this 40-minute piece exhibits two of the 20th century’s greatest artists at their creative peak. Haunting fragments of text and sound gently discourse and overlap in an intimate meditation on themes such as love, age, and truth.