“As with many works of literature, it is easier to say what Samuel Beckett’s Waiting for Godot is not about, or what it is almost about, than to state its theme definitively or be certain, or even fully uncertain, about its meaning or indeed its origin in Beckett’s imagination. Most ways of describing it require terms that are in conflict with each other. Thus the play is concerned with exhaustion, with language and communication in a state of decay, but it is also nourished by strange energy, by wit, by tension, by moments of pure verbal excitement.”

Colm Tóibín