The main theme for the 2018 seminar is Beckett’s Faces: the multifariousness of his artistic, semantic and critical legacy confronted with the specificities of the 21st century humanities, especially literary and theatre studies, arts, and philosophy around the world. The seminar provides ground for discussing Beckett as faced with other artists and thinkers. We are open to proposals that confront Beckett with his contemporaries, or pursue those who are inspired by his work. Tracing the masters of the past that are reflected in his work is yet another option. The form of the seminar should enable us not only to explore similarities and differences between individuals but also to depict broader historical and geographical perspectives. We are particularly interested in unusual frameworks that may contribute to the present understanding of how to contextualize Beckett.
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