A new publication from the Italian imprint Accademia University Press examines the impact of Beckett’s work in the area of digital theatre. Titled Rimediazioni: L’eredità beckettiana nel teatro digitale (1995-2009) (Remediations: Beckett’s Legacy in Digital Theatre (1995-2009)), the volume aims to ‘examine Samuel Beckett’s “ultramedial” legacy within the techno-theatrical landscape of the 1990s and early 2000s’ by providing ‘an analysis of the intermedial dynamics between stage and digital technologies’ with reference to a selection of productions that are either directly inspired by or closely resonate with Beckett’s oeuvre.
The volume is authored by Grazia D’Arienzo who is currently a tenure track researcher in Theatre and Performance Studies at the University of Salerno, Italy.
The Samuel Beckett Society 