Inside This Issue

We announce the upcoming Samuel Beckett Society conference, to be held in Spain from 9-11 May 2019; Catherine Fahy contributes an essay/review of György Kurtág‘s operatic adaptation of Endgame; James Brophy reviews the recent Beckett and the Nonhuman/Beckett et le Non-Humain conference in Brussels, while Eleanor Green reflects on the most recent Samuel Beckett Society annual conference. José Francisco Fernández reviews Anthony Cordingly‘s recent volume, Samuel Beckett’s How It Is: Philosophy in Translation; Amanda Dennis takes a look at Jean-Michel Rabaté’s Think Pig!; and Michael Coffey assesses James McNaughton‘s recent monograph, Samuel Beckett and the Politics of Aftermath.

There are tributes to George Craig, who died in March of this year. His colleagues on the editorial team of The Letters of Samuel Beckett reflect on the loss of a dear friend and colleague, while Gabriel Josipovici shares the eulogy that was delivered at Craig’s funeral service.

Finally, this issue shares a rich number of theatre reviews from across the world.

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Rhys Tranter's avatar
Posted by:Rhys Tranter

Rhys Tranter is a writer based in Cardiff, Wales, UK. He is the author of Beckett's Late Stage (2018), and his work has appeared in the Times Literary Supplement, The Spectator, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature.

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